Sunday, 31 August 2014

Use FreeBMD postems to find new relatives

FreeBMD is an ongoing project to transcribe civil registration indexes of births, marriages and deaths for England and Wales, and to provide free Internet access to those transcribed indexes. FreeBMD is an immensely useful site, and I like it even more since it produced the unexpected bonus of contact with new relatives via 'postems'.

An excellent feature of FreeBMD (but one that is overlooked by many genealogists) is the ability to add a short message (250 characters maximum) called a postem to any entry in the FreeBMD database.

The postem can tell people how to contact you - or (in keeping with our 'collaboration' theme) if you buy a certificate that turns out to be for the wrong person, you can help other researchers by putting details from the certificate in a postem.

Here is a step-by-step example of how I used a postem.

I searched FreeBMD for the birth registration of Bertha OAKLEY, who (according to census records) was apparently born in 1895 in County Durham. This is the search screen.

The search result looked like this.

I clicked the 'Info' icon and added a postem with my contact details.

When someone adds a postem, an envelope icon appears beside the entry, as shown below. You click the icon to read the postem.

To my delight, a distant relative contacted me as a result of my postem! She had information about Bertha OAKLEY's grandfather, Benjamin PEACOCK, who was a brother of my great-grandmother, Mary HUDSON nee PEACOCK.

This was just one of several similar successes that I've had with FreeBMD. I now always add a postem for each index entry that is (or could be) for my family.

I also use the 'search postems' feature to quickly check whether anyone else has added one that may be relevant to me. Here is an example of a search...

...and the search result, showing two postems that fit the criteria.

If you have used FreeBMD to find births, marriages and deaths for your family, I urge you to:
  1. Go back and add postems to all of those entries.
  2. Include an email address that will be valid long-term, such as a free Gmail address from Google.
  3. Check the text carefully before you click 'create', because postems cannot be changed or deleted.
  4. Before you start, read the Postems Help page.

Have you benefited from using postems on FreeBMD, or used them in different ways?
~ ~
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Thursday, 28 August 2014

Creating your own Google Map using the Mapalist utility

Earlier this year Jill Ball wrote about where our forebears come from.  She included a map of where her forebears came from.

An excellent utility for preparing Google maps highlighting specific places is Mapalist.

I have written about Mapalist previously on my own blog (Mapping the birthplaces of the children of John Way and Sarah née Daw).

First you create a spreadsheet in Google Drive. You enter the place names you want and the utility uses those names to mark the places on a Google map.

It was very quick to enter the data and generate a map. I used a separate column to enter the Australian state to ensure correct disambiguation of the place names.

Birthplaces of children of John Way and Sarah DawState
AdelaideSouth Australia
BinalongNew south wales
Collingwood Victoria
MurrumburrahNew South Wales
GrenfellNew South Wales
ParkesNew South Wales

You then go to You do need to register for an account if you haven't already got one. You will need to allow Mapalist access to your Google account details.

Go to the tab Maps then choose create. Choose the source type of Google spreadsheet. Choose the worksheet you entered the data into.
Creating a map in Mapalist
You get a preview of the data being used.
After clicking next you assign fields to the columns. It did this automatically - I didn't need to change anything.
stage 2 of creating your map using Mapalist

I used a separate column to enter the Australian state to ensure correct disambiguation of the place names.

I clicked apply and then next

stage 3 of creating your map using Mapalist
In my case it had no problem in working out the places I meant.  If you have trouble then you might need to tweak your spreadsheet with extra fields to help locate the place you are meaning.

At the next stage you configure your map by choosing the pin you want.
stage 4 of creating a map using Mapalist
You can play around with the settings and preview your map

options in stage 4
Finally you save your map, having configured it as to whether you want it private or public ...

stage 5 save your map
You can preview

Immediately below the map are some buttons to click. The second one, a rectangle with an arrow emerging from it, is for sharing by email but clicking that also gives you the code to embed your map on any web page including your blog.

Et voila!

Good luck with mapping your family history.


It is almost August 31st. What makes me say that?

August 31st is one of those dates in my family. You know, a date that more than one person in the same family died, or was buried on. A date that when I first realized its particular significance for these people, I was kind of just like 'Wait, what? Oh my gosh, that's so trippy.'

Oh my!

My Great Uncle Adam Gow was born on August 28th, 1905. However, he was only alive for 24 hours and died on August 29th. He was buried on August 31st. Four years later, my Great Great Grandmother Christian Alves died on August 31st, 1909. 94 years later in 2003, my paternal Grandfather William D. D. Gow died on August 31st. William and Adam were brothers, and Christian was their grandmother.

Christian Croal, Great Great Grandmother.
[Source: Personal Collection]

I was only 12 when my Grandfather died, so at the time, none of us had any idea about the significance of August 31st. It was only when I started genealogy and got Christian's death certificate that I realized and proceeded to have my 'Oh my gosh' moment.

This brings me to another one of those dates - December 15th. My paternal Grandmother, Eunice Dyer had five siblings. Two of those siblings were Noel George Dyer and Earle James Dyer (known to my family as Uncle Curly). Uncle Curly was born in 1918, while Uncle Noel was born in 1926. I never met Uncle Noel, but in his later years he was in a wheelchair. Uncle Noel died on December 15th, 2008. Uncle Curly worked right up until he died. He grew large fruit, had a beehive in his backyard and made his own honey, and invented cleaning products. The day before he died he had been working in his front yard doing some potting. Uncle Curly died on December 15th, 2011. Three years after his younger brother Noel.

Uncle Noel's Wedding, 1949.
L-R: Noel, Ada, Eunice (Nanna), William (Poppa) &
Aunt Elizabeth
[Source: Personal Collection]

I was not able to tell my Nanna that two of her brothers died on the same day, three years apart, as her dementia was quite bad. I think she would have liked it though, if that makes sense. She was very close with both of them. I did tell one of my Nanna's sisters, Aunty Vera. She had not realized this and was a bit stunned herself. I think it is always interesting when there are dates like this. Having birthdays on the same day is awesome itself. My brother was born on my other Grandfather's birthday, and I was born on my maternal Grandparents wedding anniversary. I think generally there's always a good chance of those things happening though. I certainly would not have expected my Poppa to die on the same day as my Great Great Grandmother, or my Uncle Curly to die on the same day as Uncle Noel. It is when you don't expect it that makes it trippy, and kind of special.  

So, what DATES are trippy in YOUR family?

Until next time genea-friends!

Tuesday, 26 August 2014

Sharing a Small Success

I keep my public tree on I know there are other options, but Dad kept his tree there; and, when I took it over, it seemed easiest to leave it there. I have learned a lot about “proper” genealogical research since I began in earnest two years ago, though I still have a lot to learn.

I want to write a book for my father this year about our Scottish Muir ancestors since he didn’t have access to the information I do today and doesn’t know much about them. His great great grandparents had 78 grand children so I have a LOT of records. As I started writing I quickly grew frustrated because I was always opening the same record over and over to glean information. Each time I did, it seemed I learned something new from a record I’d looked at several times before.

I finally stopped researching and writing and started transcribing all the records as well as creating source citations for the information I had, which was most of it about the Muir family.

My transcription of Robert Muir's birth registration

Original remains of Robert Muir's birth registration

 As I was working on Dad’s grandfather’s second family – his mother’s half siblings – I realized I didn’t know much about them at all beyond their names – Robert, Jr.; Verna; Henrietta; and Margaret Muir. I noticed one other person had Robert Muir, Jr. in their tree of 3 people! But she was the home person so I contacted her.  She had last logged on to Ancestry 4 months ago; I didn’t know if I would ever hear back.  But she had called me during the day! 

We had a lovely conversation that evening and we were both able to help each other. The only record she had found for her and my father’s grandfather, Robert Muir (1875-1956), was a marriage record for his second marriage to Elizabeth Fausz. On that record, Robert claimed to be 18 years old. But it was definitely the right Robert Muir.

Missouri marriage license for Robert Muir
and Elizabeth Fausz found on

Because of that record, my newly discovered first cousin once removed didn’t think he could have been married before and that Alice, my grandmother, must have been his sister. She stopped researching in total frustration because she couldn’t find any other records that supported those facts.

Robert Muir and Elizabeth Fausz on their wedding day on 26 Sep 1911
in St Louis, Missouri

She had no idea her grandfather was born in Scotland, who his parents were, and so on. My tree helped her make a breakthrough, especially when she discovered we each had the same photo of Robert Muir and two unknown people; and I was glad for that. What did I get? Photos! Lot’s of old photos of Robert Muir and his second family…and one photo of my Dad at age 10 or 11 with his maternal grandfather that was unknown to our family. What a find!

Robert Muir and my father taken in
1941 in Arlington, Virginia

My small success was a result of always looking at tree hints from other people. We hear so many horror stories about bad trees and sloppy research and many are true. But I look anyway for clues to other possible sources. And this time I got very lucky indeed!

Friday, 22 August 2014

Snappers and Shutterbugs – Who Took Your Family Photos?

I have inherited 3 collections of family photographs.  The collections were assembled by Mary Fleming, nee Lamb (1812-1901), my maternal 3 x great-grand-aunt; Raymond Walter Coulson (1922-1997), a paternal 1st cousin twice removed; and Mabel Adams, nee Coulson (1910-1991), my paternal grandmother.

Mary’s is the oldest collection, which dates to between the late 1850s to the 1870s.  It consists of an album of pictures measuring about 9cm X 6cm mounted on card, a format called carte de visite.   Examples from this collection have been the subject of my Family Folklore Blog series on the identities of people portrayed, inspired by Diane Hewson’s post Genealogy CSI Style - Facial Recognition. These photos were all taken by professional photographers in formal studios at a time when photography was in its infancy. Cameras were little more than a light-tight box with a lens. Negative images were captured by a wet film of light sensitive chemicals (silver nitrate) that adhered to sheet of glass coated with collodion.  Glass negatives had to be processed immediately. Prints, the positive images, were made on albumen (egg white) coated paper sensitized to light with a solution of silver nitrate. The negative was placed in direct contact with the paper producing a print the same size as the negative, known as a contact print. This video demonstrates the processes:

Albumen prints characteristically gain a yellow cast with age. The degree of yellowing may be influenced by the quality of the chemical processing and conditions of storage. This example, taken by leading London photographer, Camille Silvy, is the least yellowed in Mary’s collection.
Silvy, Camille (photographer). 13 July 1862. Portrait of B & A Lambert taken at 38 Porchester Terrace, Bayswater W. Carte-de-visite album compiled by Mary Fleming, nee Lamb (1812-1901). Personal collection of Sue Adams.

Raymond’s collection includes the World War I photo collection he inherited from his father, photos that mark his progression through childhood, and an eclectic selection from unknown family and friends. His cousin Percy Peckett, the family snapper, took a substantial proportion of the collection. Photos taken while Raymond served in India in World War II went missing from the collection around the time his estate was settled in 1997. Only 1 roll of film can be attributed to Raymond himself.
Coulson, Raymond (photographer). 23 May 1959. Interior scene of 322 Aston Hall Road featuring a radio. Negative, contact print and annotated reverse of contact print.  Negative image size 59 mm x 84 mm.  Kodak Wallet containing 7 prints and 8 negatives. Photograph collection of Raymond Walter Coulson (1922-1997). Personal collection of Sue Adams.

Verichrome nearly 3 yrs
1/25th 12 secs
fr ladder by french window
3pm May 23rd 1959
at 322 Aston Hall Rd

The detailed annotation on the reverse is a treasure, as it reveals much about the equipment at Raymond’s disposal, and reminds me of the data now automatically collected by digital cameras. Verichrome was a type of roll film. The sensitivity film to light, called film speed, is now measured by the ISO standard. ‘Slow’ film is less sensitive, so it needs either a longer time exposed to light or more light allowed to enter through the lens through a larger aperture.  Verichrome equates to 125 ISO, which is slow by today’s standards. In Raymond’s annotation, the numbers “1/25th 12 secs” relate to the camera’s exposure settings. The manual exposure time, 12 seconds, is a long time to hold a camera still, so the note “fr [om] ladder by French window” suggests Raymond used a portable free-standing ladder as a makeshift tripod.  1/25th is a shutter speed, a pre-determined exposure time, which is still too long a time to hold a camera still. For any shutter speed 1/30th of a second or greater, use of a flash is recommended for hand held shooting.  My guess is that Raymond recorded both possible shutter settings.  As Raymond recorded no aperture setting, denoted by “f” numbers, I think his camera lens may have had only one size of hole that let the light into the camera, a fixed aperture. As I have the negative for this photo, I know the format of the film was 120 or 620, which was very commonly used in box cameras.

Mabel’s collection, the largest numbering over 1000 photographs, includes photos from the 1920s up to the early 1990s. The main family shutterbug was Mabel’s daughter, Barbara.

Adams, Barbara (photographer). ca. 1957-1960s. Self portrait. Photograph collection of Mabel Adams, nee Coulson (1910-1991). Personal collection of Sue Adams.

This ‘selfie’ reveals a camera that Barbara used.  I can tell that it is a Kodak Brownie Model 1 or one of the Kodak Brownie Flash models, by comparing it to examples at Kodak Box Brownie.  These camera models were produced from 1957 and took 620 roll film, so we can be confident that the photo was taken in or after that year and know the size of the negatives. The size of the images produced were 2 ¼ in x 3 ¼ in or 57 mm x 82 mm. This print image measures 80 mm x 117 mm, so it is an enlargement, likely of the whole image as it maintains the same aspect ratio. Other photos in the collection from the same batch, identified by the stamped no 23 on the reverse, were taken in the garden of the family home in Olton Road, Birmingham. Barbara took advantage of outdoor light and a mirror to achieve this thoughtful image. She later progressed to a single lens reflex (SLR), but has not made the transition to digital.

Mabel’s negatives are the tiny (13 mm x 17 mm) 110 cartridge format used in Pocket Instamatic cameras. Such small negatives are always enlarged to produce a usable print. Despite owing a simple point-and-shoot camera, Mabel often blamed it for the classic snapper’s errors: cut-off heads, out-of-focus and under exposed (too dark) or over exposed (too bright) images.

An Interview with a Family Shutterbug

My brother, Stephen, was the family shutterbug from my teenage years onwards.

This photo, published in the school magazine is very apt.
"The Snapper snapped". Candid Camera. Alberton High School magazine 1979. p. 11. [Photograph depicts Stephen Adams at Alberton High School, 35 Phantom Street, Randhart, Alberton, Transvaal, South Africa]

I asked him about the cameras he has owned.

What was your first camera and when did you get it?
My first camera was a Halina 200.  It was a birthday present in the year I went to Germiston High School before we moved to Raceview [1977]. It had no light meter so you had to guess exposure; and shutter speed, aperture and focus were all manual so you had to remember to pay attention to all three!

What camera were you using in 'The Snapper snapped'? Was your first SLR and when
did you get it?
I think the camera in the picture of me was a Praktica Super TL or just maybe Praktica Super TL-2 or  "TL-1". Dad bought the SLR when he went back to England for granddad's funeral [Thomas Adams, husband to Mabel, died 1979] so it was second-hand then.

This was my first SLR. I had a standard lens and a third-party zoom. The standard lens was the better of the two; the zoom had poor contrast and slowly fell apart. A manual SLR at least makes you pay attention to focus.
[This camera had a built-in light meter, making shutter speed and aperture setting easier.]

As an avid birdwatcher I vividly remember the theft of my first binoculars and Stephen’s camera. My bird watching notes pin the date down to 3 January 1985 and the location to the beach car park near at Imhoff Caravan Park. After confirming that the Praktica was stolen, Stephen described its replacement and a subsequent film camera:

I bought an Olympus OM30 after moving to Southampton.  I still have the OM30. I also have my last film camera, a Ricoh GR1. It is about as small as you can make a 35mm camera, something you could carry discretely and with a 28mm lens was great indoors.

When did you go digital?
I bought a Canon G3 just after my trip to Brazil, 2004. I have had several digital cameras, including a Panasonic Lumix LX3 and a waterproof camera, but I use my phone more, since I always have it with me.

Of course the instant feedback of digital makes it easier and inexpensive to learn. But I don't take good pictures because I'm not paying attention.

This has been quite a romp through photographic history with a fair bit of technical detail. Although almost everyone now takes digital photographs, it is possible to explore the limitations of older cameras.  If your camera has manual settings, try using the same settings as Raymond did. Turn off light meter facilities and auto focus and see what using Stephen’s first camera was like.

Ask your family snapper or shutterbug about their cameras. Even those disinterested I family history like to talk about their tech toys. You may turn up snippets of information useful to genealogy. Did you notice Stephen’s references to places and events, and the interaction between our memories?

The more I organise and catalogue the photo collections in my custody, the more I discover. Can you identify which photos were taken with the same film, the same type of camera, or by the same person? The collection level information is often overlooked, but can be very revealing.

Thursday, 21 August 2014

World War I and the Wellington Quarries

The town of Arras was on the Front Line.
Large areas were destroyed including this historic square.
It was rebuilt after the war.
On our recent travels we visited Arras and did a tour of the Western Front battlefields in northern France and Belgium, a very moving experience. We based ourselves in Arras and one of the completely unexpected places we visited was the Wellington Quarry Museum, or Carriere Wellington, in the town of Arras, a place that was massively affected during World War I, with many areas destroyed. It was also "home" to many of the British and Dominion troops. 

We had known nothing at all about the Wellington Quarries before our visit so were all the more surprised by what we learned. They were pre-existing tunnels under Arras which had once been used to excavate chalk. The British army took advantage of this opportunity to use them in the lead-up to the Battle of Arras. Over a few months they were progressively expanded by the New Zealand Tunnelling Company and the Royal Engineers Tunnelling Companies.  Many of the tunnellers had prior experience in quarries or as miners. 

The tunnels were intended to quarter over 20,000 men under the town of Arras, in a labyrinth which required street names and, I imagine, a good sense of direction. We were the only people on our tour with the Museum's English-speaking guide and it was hard to imagine the noise and busyness of a small town-beneath-a-town.
From a tracing, map of the Western Front showing the German advance.
Arras is circled.
Copyright expired.

The in situ memorial retains many of the artefacts that the men left behind including touching drawings by some long-gone soldier, and the usual detritus like rusty cans. At one place, near Junction 5E, the priest said Mass before the men went into battle. As the time for engagement drew near, and the tunnels crept closer to the German lines above, it would have been necessary for the men to be pretty quiet in that vicinity.

Another astonishing thing is that when the allies went into battle they erupted from the ground en masse just metres from the German lines…they must have hardly believed their eyes. Mines had also been laid under the German trenches and exploded near the commencement of the battle. What a shock too, for the troops who emerged at 5:30am from the relative quiet and darkness into the noise and pre-dawn light of the battlefield. 

We were surprised to learn, too, that the very existence of the tunnels disappeared from the public memory between the wars, and then for a long time after World War II. We also learned one frivolous thing we’d not known before….the New Zealander hats were called Lemon Squeezers because that’s what they looked like.

During a chat with the staff after the tour I mentioned I’d be writing about it on my blog and so they asked if I could also bring to your attention, their proposed activities for the centenary of the Battle of Arras in April 1917.  The Museum is preparing an exhibition about the soldiers who were in Arras, and especially any of the New Zealand tunnellers who were in the Quarries.

In particular they are looking for:
  • Photos of the soldiers -not necessarily of the men in uniform – they could be of them before or after the war. 
  • Letters to/from the soldiers while they were overseas or stories of their lives.
  • Relatives of the men who may wish/be able to attend the dawn service on 9th April 2017, the centenary of the Battle of Arras.

If your family had any involvement with the Battle of Arras they would love to hear from you.

Please contact
The contact information for the Museum is or They have fluent English speakers working there so you can happily write in English if you don’t speak French.

Of course, it would be great to hear from relatives on this website as well. I’ve found this news story from the Waikato Times and will also email the contact to bring the Museum’s request to their attention. There’s also a Facebook page for the Kiwi Tunnellers. There is an excellent site on the NZ Tunnellers and more pictures on this website

The Australian Divisions remembered on the wall outside the Museum.

Tuesday, 19 August 2014

Are We Losing The Art of Written Communication?

What do you prize the most of an ancestor's that you never met?  For me, it is letters. It is like reaching across time and having a portion of their thoughts and their handwriting, which is a physical portion of them. Many I don't have pictures for, but I have little a bit of their personality.  For that reason, I treasure letters I have saved of aunts who wrote me when I first married.  Books written by two ancestors, Lemuel Roberts and William Bradford have been wonderful too.
What brought this to mind was some events that occured the last week with some grandchildren.  The oldest is always on the go, so I will text her and she can text me back later.  Hmmm... not a lasting communication and usually is generic conversation.  The next to the oldest, I called.  Conversation went like this... "Hi! How are you doing?"  "Good." (Now I have to start digging to get past good...)  Once again, not great communication nor lasting.
My sweet aunt never called, although there were telephones. This is an example of a letter from her.

My great great grandfather wrote a letter to his nephew that was saved and has been passed around to countless descendants.  It tells what he thought about, and what was happening with his family for us to read, savor, and glean information from. 
You notice he put the place and date at the heading. Forgotten art of letter writing? 

The Hero wrote a letter to his daughter when he arrived home after visiting with her. She still loves it now that he is gone.

After contemplating today's texty and techy world, I have decided I am going back to writing letters to my granchildren, especially those that live over a day's ride from me. I will start putting a special message in Christmas cards for family that I communicate with in my handwriting not a computer generated message.  
What do you think?
See you next month. 

Saturday, 16 August 2014

The Lazy Hazy Days of Summer, Perfect for Remembering and Headstones

Summer here in the USA is mostly a done deal.  Soon our youngsters will be headed back to school (actually some have already started).

So between shopping for school supplies, some last minute vacation getaways and our upcoming National holiday of Labor Day, we are all busy people.

How have you spent your summer days?  Researching in libraries, visiting cemeteries, laying on the beach?

Well, there was no beach time, cemeteries or research trips for Man and I this summer.  We have been sticking close to the stick built, but, believe me, we have not been idle.  We have had quite a few visitors, including my Mother and the grandtwins.  We have been doing lots of yard work, the yard was ignored for a few summers, the flower beds were and parts still are, rather overgrown and full of weeds.  We have spread over 8 cubic yards of cedar mulch so far, here and there, and we still have another 3 left in the utility trailer to spread.

During breaks from all this great exercise and family time I work on the data base, reviewing, linking photos and documents.  All good things.

With the sale of Man’s childhood home last month, we are going to do something else that needs to be done.  It has been over 50 years waiting to be done.  We are going to invest in something marble or bronze - - 

We are ordering headstones for his grandparents and his great grandparents.  One of the great-grandparents died in 1923, no stone.  His wife, died in 1939, no stone.  The grandparents we will be memorializing died in 1952 and 1954, again, no stones.

We have been asked, why do this, when there are very few that will visit the graves?  Stones are not cheap.  Simple, everyone deserves to be remembered.   

Calls are being made, information gathered, brochures requested.  The hope is that before these Rvers head south for the cold months we will have stones in place for those who have waited far too long.  

RIP, Charlotte Gehrke, Carl Gehrke, Arthur N Stevens (aka Archibald Lashbrook) and Edna Stevens.  You have not been forgotten.

* Photo courtesy of Kaz, subscriber at Pixabay.  Permission was requested for use of her Public Domain photo, permission was granted.  Thanks Karen.

Tuesday, 12 August 2014

The Changing Face of Genealogy Collaboration

We talk about collaboration and telling the stories of our family almost as though it is something new. Surely this is the real reason why so many of us get interested in genealogy in the first instance. Whatever our age we all like to hear about things that have happened be it last week or last century.

This month I have decided to write about collaboration and how the perception of genealogy has changed due to the internet and our increasing use of what is available to connect with others.

When I first started researching our family history (I am also researching my husband's family) the internet was in its infancy and we were on dial up. This was expensive and you would go online pick up your emails and read them later.
Collaborating with others was difficult but not impossible and like many others I used some of the Rootsweb mailing lists of relevance to my research interests.
The only other way of communicating with fellow researchers was to belong to a family history society to find other researchers and contact them by post.

Research in those early days, even just finding a reference to order a certificate, meant heading off to record offices or local archives where you had to trawl through microfiche or film to find what you wanted. There were some indexes available mainly through local family history societies which did help you find the right roll of film.

Programmes like WDYTYA which is showing its 11th series in the UK have changed public perception and sparked interest in the hobby. Despite only a small proportion of the resources available being online, what is there has made a difference to the way we both conduct and record our research.

These changes have taken place over a relatively short space of time and it is true that there are those who have not truly embraced the changes.

There has been discussion on social networks about how family history societies may need to change to connect with the needs of their members. Some have been forward thinking and have reached out to researchers across the world by providing access to online education but this may not be an avenue that every society can or should copy.

The societies I belong to in England have changed some of the things they do but we must not forget that they rely upon volunteers. The direction that each society takes will depend upon who has the time and inclination to commit to the development of that society. This can lead to a society stagnating because none of its members has the inclination or time to commit to change. If you belong to a society which may be stuck in the past don’t forget to make suggestions, they may get ignored, but any society is only as good as its members are willing to make it.
What do you want from your society? Don’t forget to tell those who help run the society, you may find that others think the same.

I have mentioned discussion on social networks and these have become the equivalent of the mailing lists of the past but more. Facebook has groups for genealogy and Google+ has its communities. There are also others such as Twitter and Pintrest. Whereas we communicated by email and text in the past we now have a much more visual way of sharing. This has enhanced our ability to share our experiences but opened up more challenges when we publish online what might be copyrighted. Will these copyright challenges limit our experience?

We also interact using our blogs such as this one and many other individual blogs see Geneabloggers  maintained by Thomas MacEntee.

Whilst webinars are an educational resource they can help provide pointers to things you may not be aware of and they are a great way to get information to those who may not be able to get to conferences or other genealogy events.

Video blogging using the Hangouts on Air on Google+ is becoming increasingly popular and allows genealogists from across the world to communicate by live discussion. They can also be used as a tool similar to webinars and a way to share how you do things.

To finish I would like to tell you about a Google+ community I am setting up to discuss how we get our genealogy software to work for us.

I will post on my blog when I launch. I want this to be a discussion forum so that we can learn from each other, we all need to collaborate.

Sunday, 10 August 2014

World War I Relic of Some Significance

As always the 9th of the month has caught me by surprise again, where has that month gone.  I was wondering what I should write about when I saw Yvettes wonderful pictures of WWI on her post "World War I Photos". Such powerful photos!! 

I was reminded of an amazing WWI family relic that I was privileged to see earlier this year.  One of my second cousins contacted me last May, after he had read a post I had written about my grandfather Malcolm Michael Shepherd.  His grandfather, Angus Shepherd, was my grandfather's older brother and they both enlisted in the Army and fought in Africa and Europe during the first world war. The following week, I met with my cousin at the 175 year celebration of the small town of Braidwood, the town that our great grandfathers had grown up in and was delighted that he had bought with him a wonderful collection of family photos and memorabilia to share with me.

Angus John Shepherd

Malcolm Michael Shepherd (Angus's brother)

Among my cousins collection of photos, cards and memorabilia, there was one item that really caught my attention. It was a menu hand drawn by Angus Shepherd for the 7th platoon, 33 Battalion's Christmas Celebration in France. The menu is drawn up on a target practice card, and the back the men from the 7 platoon have all signed across the target.  I was very excited that he let me take a copy of this  valuable piece of Australian World I history.

Christmas Menu - Celebration of the 7th Platoon of the 33 Battalion  25.12. 1918

Back of Menu and Target Practice - Signtures of the men of the 7th Platoon, 33 Battalion

I can't begin to imagine how these men felt at this time.  They had fought and survived through some of the most horrific battles and living conditions.  They had seen unimaginable horrors, witnessed the death and wounding of their comrades in a country so far from their home and families.  You would think that their first Christmas celebration after the end of WWI would have been very bittersweet.